{"version":"1.0","provider_name":"Ensemble Orchestral Contemporain","provider_url":"https:\/\/old-eoc.dev-app.net\/en\/","title":"Seconda Sinfonia da camera - Ensemble Orchestral Contemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"rb5SQlHy2J\"><a href=\"https:\/\/old-eoc.dev-app.net\/en\/repertoire\/seconda-sinfonia-da-camera\/\">Seconda Sinfonia da camera<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/old-eoc.dev-app.net\/en\/repertoire\/seconda-sinfonia-da-camera\/embed\/#?secret=rb5SQlHy2J\" width=\"600\" height=\"338\" title=\"&#8220;Seconda Sinfonia da camera&#8221; &#8212; Ensemble Orchestral Contemporain\" data-secret=\"rb5SQlHy2J\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"&#8221; Dans mon long parcours de r\u00e9flexion sur la forme musicale, j\u2019ai toujours \u00e9t\u00e9 attir\u00e9 par deux extr\u00eames oppos\u00e9s. D\u2019un c\u00f4t\u00e9, les formes larges ou assez larges, fond\u00e9es sur la transformation continue des \u00e9l\u00e9ments, sur la directionnalit\u00e9 \u00ab vivante \u00bb des figures et des mat\u00e9riaux de la musique, \u00e0 la fois claire et bien perceptible. [&hellip;]"}